Category: indie publishing

  • Productivity and Balance: Conference notes

    Productivity and Balance: Conference notes

    This is my write-up of the notes I took during a session on Productivity & Balance given by Nalini Singh at the Romance Writers of New Zealand 2021 conference in Wellington. As such, her actual words have been paraphrased and filtered through the chaos labyrinth of my own brain, so you should attribute all the useful bits to Nalini and any bits that don’t make sense to me.

    A hand supporting a stack of Nalini Singh books with black covers.
    Far from all the Nalini Singh books I own.

    I’ve been a fan of Nalini’s work ever since I picked up Angel’s Blood back when I was at uni in 2009, and every time I meet her, I try and utterly fail not to crazily fangirl at her. (She, however, is always kind and professional.)

    The overall thrust of Nalini’s talk was that you can’t be creative if you’re burned out, and that you need to build a work schedule that is sustainable over the long term. These were her tips, although she added the caveat that she is not the productivity police.

    I found this such an inspiring session, although also somewhat daunting thinking about the long term in so serious a fashion. There’s an imposter in my brain that whispers “who are you to think you deserve to take this seriously?”. Shush, imposter. Shush.

    Time Management

    You need to build a schedule that doesn’t exhaust you. You can’t keep up a relentless punishing schedule in the long term. It’s easy to build a ‘fantasy schedule’ that maximises productivity on paper but that will never work in reality, because there’s no room in it for anything unexpected or for all the non-writing tasks that surround writing, especially if you’re indie.

    Instead of a fantasy schedule, build in buffer time for unexpected things to happen. If nothing unexpected comes up, you’ll be ahead of schedule, but if your mum rings or the dog is sick or you need to spend two hours talking to Amazon customer service because your book page has mysteriously disappeared, you’ll already have the buffer in your schedule to cope with it.

    Write down your schedule for the day before you start but adjust it as you go on your writing days according to what comes up i.e. keep track of what you did, even if it’s not writing related. Then even if you were only able to write for 15 minutes, you’ll still be able to see it as an achievement within that day’s context.

    Don’t schedule every day / writing day you have (e.g. if you can only write on Mondays, don’t schedule writing every Monday between now and deadline). Build in unscheduled buffer days. Nalini doesn’t write on weekends.

    Set a knock-off time (especially applies if you write full-time). This creates ‘time scarcity’ for your brain and helps you to be motivated on getting things done. Otherwise it’s tempting to stretch tasks out to fill all the time there is.

    Set yourself up to start more easily tomorrow before you finish for the day e.g. leave a chapter slightly undone or leave yourself a note of what you were planning to do next. Put this ‘setting up for tomorrow’ time in your schedule for the end of the day!

    Relax consciously. Choose to watch TV or garden or chat on the internet; don’t default to e.g. scrolling through FB without making an active choice about how you are going to spend your leisure time.

    Focus

    Writing cues can help switch your brain into ‘writing mode’ e.g. a certain playlist you listen to when you start your writing session. Nalini uses a selection of rain sounds. I’ve also used this before and can recommend ‘rainy day cafe’ sounds and gaming music.

    Quality rather than quantity time. You can write a whole book in short bursts if that’s the only time you have and you focus. Each time you interrupt your brain it derails your focus for a much longer period of time than just the 30 seconds it took to check Twitter.

    Smartphones and social media are designed to be addictive and will give you squirrel brain.

    Batch email and social media – set aside a block of time(s) throughout your working day. Don’t check them consistently throughout the day.

    Create new norms and set boundaries – people don’t need to expect an immediate response. You can train them to understand your schedule e.g. not checking emails on weekends.

    Turn off notifications.

    Does the WiFi need to be on constantly? Maybe you could turn it off for 45 minutes while you do a writing session! (oh, it sounds so simple, but so hard!!!)

    Goals

    Set goals that are realistic and can be achieved through your own efforts. That way you get the satisfaction of achieving them, which is an emotional boost that gives you the motivation to aim for bigger goals. E.g. “I am going to apply for a Bookbub every month this year” (achievable) vs “I am going to get two Bookbubs this year” (not within your power to control)

    It is OK to take the longer road!

    Someone else’s speed has nothing to do with you.

    Multiple projects

    Nalini likes to do two different projects at a time: a main project and secondary project. The main project gets the bulk of the writing time, but being able to switch between two different things at a time helps her stay motivated and interested. Nalini recommends a secondary project that is either:

    • A completely different type of project
    • At a completely different stage in the process than the main project

    Her advice is to not commit publicly to the secondary project or put it in your release schedule – this should be your stress-free exploratory time without pressure. No one’s going to be mad when you tell people hooray there’s a surprise unexpected book! Nalini reckons it’s especially helpful if your main project is very written to market.

    Delegate

    You’re trying to run a one-person small publishing company. The work involved in this gets bigger the bigger you get. If you can delegate, delegate; only you can do the writing!

    Read

    You became a writer because you love reading. Make space for it.

    Look after your body

    You can only work from a laptop on the couch for so long before it catches up with you.

    I’m expanding out from Nalini’s session to include the tips from multiple people here. The whole panel of guests were asked how they looked after their wrists, and they all gave really intense, thoughtful answers, which goes to show this is a topic of great interest to writers! Things that they found helpful:

    • Dictation
    • Mechanical keyboard
    • Gaming chair
    • Standing desk
    • Compression gloves
    • Software that blanks their screen for e.g. 3 minutes every 1 hour and locks them out so they have no choice but to swear at it and then go stretch
    • Yoga
    • Scheduling excercise into the middle of the writing day
  • Two events and an award

    Two events and an award

    Whew, what a whirlwind of a weekend!

    The short version: Two events, a drink that was ON FIRE, and a trophy!

    The long version:

    This weekend was the annual Romance Writers of New Zealand conference for 2021. This was my second RWNZ conference (I wrote about my first time here), and because of our closed borders, was a little smaller than usual and featured solely local talent rather than the usual line up of international guests. Turns out NZ’s local talent is pretty fabulous though, because it was a fantastic weekend.

    In their infinite scheduling wisdom, the national science fiction and fantasy organisation announced very recently that they had decided to schedule their awards on the exact same night as the romance writers. Thus, I was faced with something of a dilemma. I would have liked to attend the RWNZ dinner and celebrate the winners there, but as I was a finalist for the national speculative fiction awards (the Sir Julius Vogel Awards), I decided I should probably go to that one.

    I remember being in the crowd at my first-ever SJV ceremony, years before I had admitted to myself I wanted to be a writer. I thought that the pointy SJV trophies were one of the coolest trophy designs I’d seen, but I didn’t even daydream about winning one. After all, to do that would mean having a book published, and I wasn’t a writer.

    The world turned.

    I kept writing whilst not being a writer (I am sometimes not very bright). I moved nearly 20,000 km away from home. I wrote a book, a practice novel I never intended to let see the light of day. I called it The Lord of Stariel. I admitted to myself I might quite like writing.

    I came home. I started publishing books.

    Last year was the first time I made the finalist list for the awards, and the flock of pointy trophies sitting up by the podium took on a whole new meaning.

    Awards don’t matter, really, you tell yourself. And they don’t; they’re not what keeps you typing when every word feels like a battle. They aren’t a measure of any objective Truth or Worth; every award has its own biases in who gets one and who doesn’t. You have not failed by not winning one. Making the finalist list is an achievement in itself. Plus, after the awards ceremony you get to drink and chat with cool people, which is fun regardless of the outcome.

    I told myself the same things this year (and they are true things, I want to emphasise). But, oh, winning does feel good too!

    This is a long-winded way of announcing that I won the Sir Julius Vogel Award for Best New Talent this year! I can’t remember what I said when I went up to receive it – it’s all a joyful blur – though friends assure me it was totally coherent and professional. I do remember the last line, though, which was me giddily bursting out with: “Yay, a pointy trophy!” as the presenter handed it to me.

    Totally professional.

    Here is the celebratory drink that I had afterwards, at a nearby pirate-themed bar. The bartender set my drink on fire (deliberately)!

    A photograph taken in a dark bar, with orange flames emerging from a drink on a metal tray. The flames are a couple of feet high and throwing a reflected orange glow. In the background, the dim shape of the bartender can be seen.
    My celebratory drink!

    This was my last year of eligibility for this award, and coming so close on the heels of releasing my series finale was a special moment. Congratulations to all the finalists – there was some amazing talent represented on the lists – and to the winners on the night. Thank you so much to everyone who supported me on this journey.

    (Yay, pointy trophy!)

    A gold and green trophy shaped like a diamond placed in front of the four books from the Stariel series.
  • Writerly reflections 2020: A year in four parts

    Writerly reflections 2020: A year in four parts

    So. 2020.

    That happened.

    How do you reflect on a year where reality became stranger than fiction? Even from the small and personal perspective of my own indie career, the task is daunting.

    To make some sort of sense of a year that felt a thousand years and simultaneously only five minutes long, I’ve split it into quarters.

    I’ve also chosen to mainly focus on the small good things that happened to me. Quite aside from all the, er, general 2020-ness going on on a global scale, 2020 was my worst year ever in terms of words written, so it’s good to remind myself that wasn’t all it was.

    1st Quarter: The Before Times

    I publish a book

    It’s slightly surprising to remember this because it feels so long ago. But in January 2020, The Court of Mortals released! Bringing my grand total of books published to THREE whole novels!The cover of The Court of Mortals

    Fanart!

    Also in January, the amazingly talented Chiara Schieder sent me this beautiful fanart of Wyn!!! I think I made a sound only audible to bats when it turned up unexpectedly in my inbox. One of my secret author dreams has been to inspire fanart, and I was tickled pink when it actually! happened!

    I felt like a real author!!!

    2nd Quarter: Lock-down

    A fogbank lies over the weeks between March and May when New Zealand was in Levels 4 and 3 of our alert system. I remember driving out of Wellington on eerily quiet roads, the electronic highway signs flashing: “Stay calm; be kind. Level 4 at midnight.”

    It felt like driving ahead of a storm, like a scene from a post-apocalyptic movie. I’d never felt dread with such physicality before; a persistent, painful tightness in my chest, the inability to focus, the bewildered surreality of a nation all tuning in each day for the 1pm press briefing.

    Autumn is the loveliest time at my parents’ farm, I think, and the dissonance between the golden fields beneath crisp blue skies and the increasingly grim news headlines utterly did my head in. It was also our busiest time of year in my day job, and I was working remotely, but I didn’t get enough done, distracted and anxious as I was, and consequently worked a lot of overtime when we went back to Level 2.

    3rd Quarter: Apparently a lot of stuff happened when I list it all out?

    In this part of the year, New Zealand slowly returned to normal and the rest of the world largely didn’t. This dual reality continues even as I write this post. I’m grateful for my good fortune even as I worry for my friends and family overseas. Kia kaha, koutou.

    Award nominations

    I was a finalist in two categories for New Zealand’s SFF awards: The Prince of Secrets for Best Novel and my very own self for Best New Talent.

    CoNZealand

    End of July was CoNZealand! It wasn’t the Wellington-based conference we’d all hoped for, but there was an amazing array of online panels. I even spoke (incredibly nervously) on some!

    Audiobooks!

    In August, the first of the Stariel audiobooks was released by Podium Publishing, swiftly followed by #2 and #3. The audiobooks have brought me so so much joy. The narrator, Finty Williams, is AMAZING and has brought the stories to life. Whenever I feel my motivation for finishing the final book flagging, I remind myself that once it’s finished I’ll get to hear it in audiobook format!

    Cake!

    My sister made me two cakes this year, one when I launched The Court of Mortals and one when the audiobook of The Prince of Secrets released. Which now means I’m only one cake away from completing the set:

    4th quarter: I finally start making writing progress again. Also, a review.

    One of the last things that happened in 2020 was a glowing review for The Lord of Stariel on one of the biggest sites for romance reviews: Smart Bitches Trashy Books. I appreciate every single one of my reviews – they’re one of the most powerful ways readers can hear about my books. However, I generally avoid reading reviews for my own sanity. But this one gets a mention in my ‘list of positives amidst the sea of 2020’ not only because

    (a) not gonna lie, it was hugely flattering to my ego but also

    (b) it made my book sell like hotcakes,

    which was extremely exciting to see when I checked my sales report.

    2020 was my best year ever in terms of books sold and my worst year ever in terms of words written. I’m still feeling the effects of my lack of writing productivity; I’d originally intended to release Stariel #4 in January 2021, but that isn’t going to happen, due to the glacial progress I made for most of 2020.

    I can’t even blame the pandemic. (Well, mostly; it probably didn’t help).

    My writing paralysis dates from the Before Times in late 2019, after I finished The Court of Mortals. No matter how many hours I spent in front of the manuscript, endlessly writing, rewriting, arranging and rearranging scenes, the next book refused to work. My panic and self-loathing got fairly dire.

    I may write a separate post about what helped kick me out of the spiral, but the good news is that my brain came back online in late 2020 and I’ve been making heaps of progress since. The King of Faerie will release in August, come hell or high water.

    Bring on 2021.

  • Where can I buy a Stariel paperback book? (other than Amazon)

    Where can I buy a Stariel paperback book? (other than Amazon)

    If you are a New Zealand library or bookstore

    If you are a NZ library or bookstore, my books are available through Wheelers. You can also contact me directly and we’ll work something out.

    Otherwise, this isn’t an exhaustive list, but here are some stores to get you started. You can also check out Bookshop.org or ask your local independent bookstore to order one for you!

    United States

    Australia

    United Kingdom

    New Zealand

    Know a good indie bookstore where you can buy my books? Let me know, and I’ll add it to the list!

  • Stariel #4: The King of Faerie Cover Reveal

    Stariel #4: The King of Faerie Cover Reveal

    I have sat on this cover for far too long, and since book 4 is finally, finally feeling like it’s taking a proper shape, I’ve decided to let it out of the bag.

    The cover of The King of Faerie by AJ Lancaster

    Isn’t it just gorgeous? Once again, Jenny at Seedlings Design Studio has outdone herself. I love all my covers so much, but I think this one just might be my favourite.

    The four books in the Stariel quartet.
    LOOK HOW BEAUTIFUL THEY ARE TOGETHER!!!

    I have also put The King of Faerie up for pre-order.

    I have put it on the longest possible pre-order (a year) to make super sure I have enough time to finish it, but I am hoping to be able to bring the release date forward.

    Here’s the blurb:

    The fae are real, and Hetta Valstar is trying her best to marry one.

    If Hetta and Wyn ever manage to marry, it will be the first union between Faerie and Mortal since the Iron Law was revoked.

    The mortal Queen has given them her blessing—sort of. Now, Wyn needs permission from the fae High King. There’s an intensely personal reason why they need to tie the knot as soon as possible, and time is not on their side.

    The clock is ticking. Except in Wyn’s home court, which is trapped under magical stasis. To break the spell will mean venturing into the deepest realms of Faerie, where even fae princes—and definitely human lords—fear to tread.

    Unfortunately, the fae problems aren’t limited to Faerie.

    Public tension is rising, and the reveal of Wyn’s true identity makes him and Hetta the centre of the storm. On top of this, Stariel’s magic is going haywire, and Hetta is struggling with her intensifying powers—and she might not be the only one affected.

    The High King might be the only one who can help, since he’s responsible for the fae returning to the Mortal Realm in the first place.

    If only they knew where he was.

     

    Exciting times!!!!

  • The 2020 Sir Julius Vogel Awards – the whats, whys, and my own eligibility

    The 2020 Sir Julius Vogel Awards – the whats, whys, and my own eligibility

    This is a special year for New Zealand’s speculative fiction awards, the Sir Julius Vogel (SJV) awards.

    Never heard of the SJVs or Sir Julius Vogel? Fear not, I’m here to meet all your long-winded explanation needs!

    I only became aware of the SJVs when I started getting into New Zealand’s publishing / writing scene, despite being a big fantasy reader for many years before that. Judging from the number of blank looks I get when I mention the awards to other New Zealanders who are  readers but not writers, I don’t think this is at all an atypical experience.

    OK, so what is an SJV award?

    It’s a metallic, pointy trophy that looks like this:

    Sir Julius Vogel Award
    Sir Julius Vogel Award. Source: http://www.sffanz.org.nz/sjv/sjvAwards.shtml

    The awards recognise achievements in NZ science fiction, fantasy, or horror. There are lots of categories, from short stories to best novel to services to fandom.

    Why are they called Sir Julius Vogel Awards?

    The cover of Julius Vogel's book, Anno Domini 2000The awards are named after Sir Julius Vogel, an early prime minister of New Zealand. He is credited with writing New Zealand’s first speculative fiction novel Anno Domini 2000, or, Woman’s Destiny in 1889.

    I haven’t read it for myself, but reviews suggest it’s unfortunately not a very good book. On the brighter side, the same reviews do think it predicted aspects of the future accurately, so that’s sort of cool?

    Er…moving on.

    What’s eligible for an award?

    The main eligibility criteria is that the work is by a NZ citizen or resident. Oh, and that it’s published in the year before the award is given – so works published in 2019 are eligible for the 2020 awards.

    (psst, THE PRINCE OF SECRETS was published in 2019).

    The awards process is:

    1. Anyone, anywhere in the world, can nominate works using this form.
    2. The eligible works that receive the most nominations make it onto the shortlist of up to 5 finalists for each category.
    3. Members of SFFANZ (Science Fiction and Fantasy Association of New Zealand) and/or the national science fiction convention for that year vote to decide the winner for each category.

    Now, before I get to why this year is special, I have to talk about NZ’s national science fiction conventions.

    NZ’s national science fiction conventions (natcons)

    So, first off, we have national science fiction conventions. Every year. This may or may not be news to you, but it was something else I learnt only a few years ago. This is probably because NZ’s national conventions are pretty small (~150 people) and fan-run (i.e. don’t have a huge advertising budget).

    Once you find them they are, however, very fun. The first one I went to was in 2013, which was…seven years ago. Huh. Time flies, eh?

    To make the national conventions trickier to keep track of, their name changes every year depending on which city is hosting. For example, 2019’s national convention was Geysercon, held in Rotorua, known for, you guessed it, thermal mud.

    But this year, 2020, New Zealand isn’t just having a normal national convention. We’re having an international one!

    The World Science Fiction Convention 2020: CoNZealand

    For the very first time, New Zealand is hosting the World Science Fiction Convention. This is an international, entirely volunteer-run convention that moves countries each year, and is where the Hugos are awarded.ConZealand

    Worldcon is going to double as New Zealand’s national science fiction convention this year.

    Which means that all the Worldcon attendees will also get to vote for the SJVs this year.

    Which basically means an order of magnitude more people than usual will looking at the finalists and voting.

    Which means that making the shortlist this year would be really, really awesome. And it all depends on getting enough nominations.

    This is where you come in. Please consider nominating my or any other NZ SFF works. The nomination web form is HERE.

    My eligible works

    The awards I am eligible for this year are:

    Best Novel

    princeofsecrets_640px x 414 px

    The Prince of Secrets by AJ Lancaster
    Publisher: Camberion Press (that’s just the name for my own indie imprint)
    Contact details – aj@ajlancaster.com

    Best New Talent

    I’m technically eligible for this, since I’m still within my first four years as a professional.

    The amazingly organised Melanie Harding-Shaw has also put together an unofficial spreadsheet of eligible works, and I recommend checking it out if you’re interested in what New Zealanders speculative fiction creatives have been putting out in the last year.

  • One year of self-publishing: Highlights

    One year of self-publishing: Highlights

    It feels longer than a year.

    Self-publishing effectively involves starting your own small business – on top of the actual writing and, in many people’s cases, including my own – on top of the full-time day job and general detritus of life administration.

    Piecing together stolen moments – from lunch hours and evenings and weekends, while waiting at bus stops and seated on planes – does strange things to one’s sense of time.

    But it has only been a year since I published The Lord of Stariel. Wow.

    The happenings of a year are too much to fit in one blog post, so here is a random sampling of eight highlights (in no particular order).

    #1 Seriously awesome covers

    I could not be happier with the covers for my books, made by Jenny Zemanek at Seedlings Design Studio. Here are the three so far revealed (you’ll have to wait for Book 4’s cover, but it is every bit as pretty).

    Three Stariel books - The Lord of Stariel, The Prince of Secrets, and The Court of Mortals on a white shelf.
    So pretty!

    #2 Book Launch Party

    I launched The Lord of Stariel in my living room last November because I wanted it to be as non-stressful and fun as possible. I made cake; my sister decorated it. I wore a T-shirt with my book cover on. I stacked a pile of books nonchalantly in the corner and signed them upon request.

    Book cake
    Book cake!

    I highly recommend this approach to book launches and am in fact planning the exact same sort of event for the launch of Book 3 (I didn’t have an official party for Book 2 because it released so soon after Book 1).

    #3 Hard copies on my shelf

    IMG_20190325_191635_598

    I think every author imagines the moment when they will hold a physical copy of their finished book in their hands. When my box of advanced copies arrived (for the book launch!), I let out a noise audible only to bats.

    #4 Publishing Book 2

    Writing and publishing one book could be written off as a fluke; publishing my second book The Prince of Secrets made my dreams of a writing career feel less like a dream and more like something I could build, one brick (book) at a time.

    Blossom and tea - Stariel 2

    #5 Books in libraries!

    Because I am self-published, I wasn’t sure whether my books would make it into libraries. But they have! Mostly to NZ libraries, but also to some in the US! I even found one on the shelf in the temporary Wellington central library (temporary due to the closure of the main library because of earthquake risk).

    20190531_172214

    (Do feel free to request your library get a copy of The Lord of Stariel or The Prince of Secrets…)

    #6 Meeting other local writers

    Who knew there were so many fantasy writers in Wellington!

    A big shout out to Melanie Harding-Shaw, who has this year been determinedly reaching out and organising Wellington speculative fiction writers into regular meet-ups, a process that bears no small resemblance to herding cats.

    IMG_20170325_141432_427

    Earlier this year I also attended the Romance Writers of New Zealand conference in Christchurch (and wrote about it here), which exceeded expectations in terms of both fun and learning. I have yet to make it along to a Wellington chapter meeting due to scheduling conflicts, but they keep inviting me, so I hope to make it along to one in 2020!

    #7 SPFBO5 (Self-Published Fantasy Blog-Off 5)

    This is a competition orchestrated by author Mark Lawrence. It involves 10 book bloggers working their way through 300 self-published fantasy titles to choose the winner.

    The competition is still underway, and The Lord of Stariel remains in the running as of this blog post, having been picked as a semi-finalist by the blog it was assigned to. I’m thrilled about that, but that’s not actually the highlight I’m celebrating here. No, what I want to celebrate is that I fronted up to the start line and entered my book into the competition at all!

    I am my own worst enemy, and tend to not even enter things because I’ve already decided I’m unworthy. You can’t fail if you don’t sign up, right? This year I’ve been making a concerted effort to stop thinking like that, and to start thinking more like, well, this:

    “Success is not final, failure is not fatal: it is the courage to continue that counts”—Winston Churchill

    “It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all – in which case, you fail by default.”—JK Rowling

    “The master has failed more times than the beginner has ever tried.”—Stephen McCranie

    “Failures, repeated failures, are finger posts on the road to achievement. One fails forward toward success.” —C. S. Lewis

    I like inspirational quotes, but they can also make it sound like a very glib process, when the reality of putting myself forward and risking failure has been extremely difficult—but also rewarding, I think. The more you shove at the edges of your comfort zone, the bigger it gets.

    (As well as being a small milestone in my ongoing journey of Trying To Hide Myself Under Rocks Less, being part of SPFBO has also turned out to be quite fun. There’s a feeling of community to it and heaps of good indie fantasy books to be found by browsing the list of SPFBO books. I shall have to do another post on ones I’ve read and enjoyed so far!)

    #8 Readers

    Last November, the only way I could make myself press that big ‘publish’ button was to pretend that no one would actually read my book.

    This, delightfully, has turned out to be not true. The first time a reader got in touch to say how much they liked my book, I had to take several hours to compose myself sufficiently to be able to respond with some degree of professionalism rather than a string of incoherent exclamation marks.

    So thank you, readers, for buying my book, for leaving reviews, for sending me emails, for making and liking posts, and for tweeting tweets. You have been the most wonderful part of this indie publishing gig.

  • Hanging with other writers: the RWNZ 2019 Conference

    Hanging with other writers: the RWNZ 2019 Conference

    Fantasy is my first and truest love, but romance is a close second (a shocker, I know, if you’ve read my books 😉). So it was with great excitement that I headed off to Christchurch last weekend for my first-ever Romance Writers of New Zealand (RWNZ) conference.

    A footpath curving beneath bare-branched trees in Hagley Park. In the upper corner, pink blossoms are visible.
    Hagley Park, Christchurch

    Years ago, when I was a university student, I spent a lot of time in Christchurch Airport, waiting for connecting flights as part of my journey home. I’m not sure this really counts as having visited the city. I can’t say I’ve now remedied this, since I spent last weekend largely within the four walls of the conference hotel.

    However, I can say that the few bits of Christchurch I did see were both lovely and curiously English in aesthetic (and, coming from hilly Wellington, disconcertingly flat). The hotel abutted the large and picturesque Hagley Park, where the first signs of spring were juuust beginning, cherry blossoms and daffodils and a hint of warmth.

    “The trees are coming into leaf. Like something almost being said—Philip Larkin

    (I thought of this quote a lot during spring when I was overseas in Oxford, and Hagley Park had that same quality to it).

    On Friday morning, I turned up to the registration desk and received my name badge and conference pack. A heart sticker adorned my badge, marking me as a first-time attendee.

    The name badges were an absolute godsend. Some people say they remember faces but not names; I frequently remember neither. If only name badges were fashionable in more situations!

    I was quite nervous that first morning, as the only person I knew wasn’t turning up until the Saturday. However, my nerves were completely unwarranted; everyone was extremely friendly (thanks to the aforementioned heart-sticker), and luckily we all had one ginormous thing in common that made it easy to start conversations!

    “So, what do you write?” was the #1 conversation opener, for the very first time in my life.

    I refined my answer to this over time and eventually settled on: “Think fantasy Downton Abbey.”

    (I feel I must make an admission here; I’ve never actually watched Downton Abbey, but it’s a comparison that multiple reviewers have used and it’s a more comprehensible shorthand than “Er…secondary world early twentieth centuryish inspired fantasy-of-manners with fae and romance?”. Hopefully, when I do get around to watching it, I won’t discover that I’ve been merrily giving everyone an entirely false idea of what to expect!)

    Onto the workshops!

    There aren’t a lot of local professional development opportunities for genre writers in New Zealand. I’d heard through the grapevine that RWNZ conferences offer fantastic craft workshops that would be of benefit to any writer, not only those writing pure romance.

    Well, I’m here to tell you that the grapevine was absolutely right.

    The top part of a handwritten page of notes listing a Table of Contents.
    My uncharacteristically organised note-taking.

    Over the three days, I made fifty pages of notes. FIFTY. Beginnings, tension, characterisation through narration, and conflict were just some of the topics covered. I think I’ll write up a few of the sessions that particularly resonated with me in separate blog posts, but needless to say that by the end of the weekend, my brain was stuffed full of information and ideas.

    Let no one tell you that writing romance is easy. These guys take their craft seriously. The whole conference was infused with a determination to learn, share ideas, and ultimately bring readers joy. But more than that, everyone there practically glowed with the love of writing. The enthusiasm was infectious and left me buzzing with renewed motivation to finish my work in progress.

    Plus, as it turns out, romance authors and editors have great senses of humour.

    Book Title Quiz where all missing words have been replaced with the word
    One group’s ‘guesses’ at missing titles

     

    If every duke featured in a regency romance actually existed, they’d outnumber the sheep in New Zealand*” —May Chen, Avon editor.

    *Current NZ sheep numbers = 27.3 million, which by my calculation means every New Zealander gets ~5.6 dukes of their very own!

    Definitely planning to attend next year.

  • Fantasy Romance vs Romantic Fantasy: Is there a difference between these subgenres?

    Fantasy Romance vs Romantic Fantasy: Is there a difference between these subgenres?

    A bit of preface: I wrote most of this blog post aaaaages ago but never got around to finishing it. However, this week I discovered a new FB reader group called Romantic Fantasy Shelf, which has been set up by a bunch of indie authors and is focused on secondary-world Romantic Fantasy / Fantasy Romance / Reverse Harem fantasy and it (a) seemed right up my alley (go join if it’s up your alley too; they’re running a whole bunch of giveaways this month to celebrate the launch of the group) and (b) reminded me of this half-written blog post.

    romantic fantasy launch event

    Now for the actual blog post:

    Because I am me and like organising things into their Correct Places, I have spent a lot of time pondering genre nuances. And because my current project (the Stariel series) contains both fantasy and romance, this specific genre nuance (fantasy romance vs romantic fantasy) interests me particularly. Are they actually different subgenres or just different names for the same thing? Is there any real difference between the two subgenres in terms of reader expectations?

    From a purely technical standpoint, fantasy romance is a subgenre of ROMANCE whereas romantic fantasy is a subgenre of FANTASY. In other words, you’d expect the dominant element to be the parent genre.

    But if a book has both romance and fantasy, how do you tell which is the ‘dominant’ genre? And what if it’s an equal mixture of both?

    I’ve been told that one simple way to figure out if you’re dealing with a book that has romance as its dominant genre is to ask yourself: ‘does the plot still pretty much work if I take out the romance?’ and if the answer is ‘no’, well, there you go; it’s a romance. It works for some books where the balance is clearly tipped more one way than the other.

    For example, Tamora Pierce’s Alanna books still work if you take out the romance (though why would you do that!?) since the major plotline is the heroine training to be a knight.

    Tamora Pierce Song of the Lioness Quartet

    By comparison, Robin McKinley’s Beauty doesn’t work if you take out the romance, since the main plot is about Beauty and the Beast’s relationship.

    Beauty by Robin McKinley

    However, I have found this question of ‘does it still work if you take out the romance’ overly simplistic for a lot of books. If you take the romance out of C.L. Wilson’s  Lord of the Fading Lands, you’ve still got fantasy worldbuilding and conflicts but you lose most of the character motivations.

    Lord of the Fading Lands
    Also, this cover is INSANE. Go, giant fire-breathing panther head, go!

    Similarly with Jacqueline Carey’s Kushiel’s Dart. You can take out the romance and still have intricate politics, sexy courtesans, and war between nations, but, again, you lose major character motivations and some very big subplots.

    Jacqueline Carey Kushiel's Dart

    For my own series, which falls into the Romantic Fantasy rather than Fantasy Romance camp, the answers to the question ‘does the plot work if you take out the romance?’ are:

    • Book 1: The Lord of Stariel – Mostly yes
    • Book 2: The Prince of Secrets – Mostly no
    • Book 3: The Court of Mortals – Sort of?
    • Book 4: The King of Faerie – Well, it would be a totally different series by now without the romance elements so hard to say

    Basically, it gets silly very quickly trying to figure out whether a book still works without half its ingredients. And, really, who wants half a cake? Er, book.

    I thought another way to slice this might be to look at Amazon’s categories. Fantasy has a subcategory for “Romantic” and Romance has a subcategory for “Fantasy”. So what’s filed under each one?

    A lot of the same books, as it turns out.

    There are slightly more sexy man-chest covers under Romance>Fantasy and slightly more women-with-glowy-magic-hands covers under Fantasy>Romantic.

    I think the main difference (if any) is that Fantasy Romance series are likely to feature a different couple in each book, whereas Romantic Fantasy series focus on the same characters over multiple books.

    However, my main conclusion after looking at a bunch of books that mix romance and fantasy is that this quest has not helped my To-Be-Read list get any smaller.