Tag: writing process

  • Productivity and Balance: Conference notes

    Productivity and Balance: Conference notes

    This is my write-up of the notes I took during a session on Productivity & Balance given by Nalini Singh at the Romance Writers of New Zealand 2021 conference in Wellington. As such, her actual words have been paraphrased and filtered through the chaos labyrinth of my own brain, so you should attribute all the useful bits to Nalini and any bits that don’t make sense to me.

    A hand supporting a stack of Nalini Singh books with black covers.
    Far from all the Nalini Singh books I own.

    I’ve been a fan of Nalini’s work ever since I picked up Angel’s Blood back when I was at uni in 2009, and every time I meet her, I try and utterly fail not to crazily fangirl at her. (She, however, is always kind and professional.)

    The overall thrust of Nalini’s talk was that you can’t be creative if you’re burned out, and that you need to build a work schedule that is sustainable over the long term. These were her tips, although she added the caveat that she is not the productivity police.

    I found this such an inspiring session, although also somewhat daunting thinking about the long term in so serious a fashion. There’s an imposter in my brain that whispers “who are you to think you deserve to take this seriously?”. Shush, imposter. Shush.

    Time Management

    You need to build a schedule that doesn’t exhaust you. You can’t keep up a relentless punishing schedule in the long term. It’s easy to build a ‘fantasy schedule’ that maximises productivity on paper but that will never work in reality, because there’s no room in it for anything unexpected or for all the non-writing tasks that surround writing, especially if you’re indie.

    Instead of a fantasy schedule, build in buffer time for unexpected things to happen. If nothing unexpected comes up, you’ll be ahead of schedule, but if your mum rings or the dog is sick or you need to spend two hours talking to Amazon customer service because your book page has mysteriously disappeared, you’ll already have the buffer in your schedule to cope with it.

    Write down your schedule for the day before you start but adjust it as you go on your writing days according to what comes up i.e. keep track of what you did, even if it’s not writing related. Then even if you were only able to write for 15 minutes, you’ll still be able to see it as an achievement within that day’s context.

    Don’t schedule every day / writing day you have (e.g. if you can only write on Mondays, don’t schedule writing every Monday between now and deadline). Build in unscheduled buffer days. Nalini doesn’t write on weekends.

    Set a knock-off time (especially applies if you write full-time). This creates ‘time scarcity’ for your brain and helps you to be motivated on getting things done. Otherwise it’s tempting to stretch tasks out to fill all the time there is.

    Set yourself up to start more easily tomorrow before you finish for the day e.g. leave a chapter slightly undone or leave yourself a note of what you were planning to do next. Put this ‘setting up for tomorrow’ time in your schedule for the end of the day!

    Relax consciously. Choose to watch TV or garden or chat on the internet; don’t default to e.g. scrolling through FB without making an active choice about how you are going to spend your leisure time.

    Focus

    Writing cues can help switch your brain into ‘writing mode’ e.g. a certain playlist you listen to when you start your writing session. Nalini uses a selection of rain sounds. I’ve also used this before and can recommend ‘rainy day cafe’ sounds and gaming music.

    Quality rather than quantity time. You can write a whole book in short bursts if that’s the only time you have and you focus. Each time you interrupt your brain it derails your focus for a much longer period of time than just the 30 seconds it took to check Twitter.

    Smartphones and social media are designed to be addictive and will give you squirrel brain.

    Batch email and social media – set aside a block of time(s) throughout your working day. Don’t check them consistently throughout the day.

    Create new norms and set boundaries – people don’t need to expect an immediate response. You can train them to understand your schedule e.g. not checking emails on weekends.

    Turn off notifications.

    Does the WiFi need to be on constantly? Maybe you could turn it off for 45 minutes while you do a writing session! (oh, it sounds so simple, but so hard!!!)

    Goals

    Set goals that are realistic and can be achieved through your own efforts. That way you get the satisfaction of achieving them, which is an emotional boost that gives you the motivation to aim for bigger goals. E.g. “I am going to apply for a Bookbub every month this year” (achievable) vs “I am going to get two Bookbubs this year” (not within your power to control)

    It is OK to take the longer road!

    Someone else’s speed has nothing to do with you.

    Multiple projects

    Nalini likes to do two different projects at a time: a main project and secondary project. The main project gets the bulk of the writing time, but being able to switch between two different things at a time helps her stay motivated and interested. Nalini recommends a secondary project that is either:

    • A completely different type of project
    • At a completely different stage in the process than the main project

    Her advice is to not commit publicly to the secondary project or put it in your release schedule – this should be your stress-free exploratory time without pressure. No one’s going to be mad when you tell people hooray there’s a surprise unexpected book! Nalini reckons it’s especially helpful if your main project is very written to market.

    Delegate

    You’re trying to run a one-person small publishing company. The work involved in this gets bigger the bigger you get. If you can delegate, delegate; only you can do the writing!

    Read

    You became a writer because you love reading. Make space for it.

    Look after your body

    You can only work from a laptop on the couch for so long before it catches up with you.

    I’m expanding out from Nalini’s session to include the tips from multiple people here. The whole panel of guests were asked how they looked after their wrists, and they all gave really intense, thoughtful answers, which goes to show this is a topic of great interest to writers! Things that they found helpful:

    • Dictation
    • Mechanical keyboard
    • Gaming chair
    • Standing desk
    • Compression gloves
    • Software that blanks their screen for e.g. 3 minutes every 1 hour and locks them out so they have no choice but to swear at it and then go stretch
    • Yoga
    • Scheduling excercise into the middle of the writing day
  • The not-quite end of the Stariel Quartet / An announcement

    The not-quite end of the Stariel Quartet / An announcement

    So, The King of Faerie is the last book in my Stariel Quartet.

    Well, only mostly, as it turns out.

    Whilst The King of Faerie (Stariel #4) indeed wraps up Hetta and Wyn’s story and the main series arc, I found in writing it that there was another character whose story needed a bit more telling than I could fit within its pages. I’ve been hesitant to announce this because I initially thought this extra piece might be a bonus story or a novella that I could include as an add-on to Book 4 when it releases. However, having recently reached 30,000 words on this spin-off story without yet passing its midpoint, I think it’s time to admit that I am in fact writing another novel.

    This is a very long-winded way of saying, yes, Marius Valstar is getting a book!

    No blurb or cover yet, but I am delighted to announce the forthcoming existence of Of Plants & Princes A Rake of His Own, which will sit chronologically after the events of The King of Faerie.

    Update: A Rake Of His Own is now available to pre-order!

  • Hanging with other writers: the RWNZ 2019 Conference

    Hanging with other writers: the RWNZ 2019 Conference

    Fantasy is my first and truest love, but romance is a close second (a shocker, I know, if you’ve read my books 😉). So it was with great excitement that I headed off to Christchurch last weekend for my first-ever Romance Writers of New Zealand (RWNZ) conference.

    A footpath curving beneath bare-branched trees in Hagley Park. In the upper corner, pink blossoms are visible.
    Hagley Park, Christchurch

    Years ago, when I was a university student, I spent a lot of time in Christchurch Airport, waiting for connecting flights as part of my journey home. I’m not sure this really counts as having visited the city. I can’t say I’ve now remedied this, since I spent last weekend largely within the four walls of the conference hotel.

    However, I can say that the few bits of Christchurch I did see were both lovely and curiously English in aesthetic (and, coming from hilly Wellington, disconcertingly flat). The hotel abutted the large and picturesque Hagley Park, where the first signs of spring were juuust beginning, cherry blossoms and daffodils and a hint of warmth.

    “The trees are coming into leaf. Like something almost being said—Philip Larkin

    (I thought of this quote a lot during spring when I was overseas in Oxford, and Hagley Park had that same quality to it).

    On Friday morning, I turned up to the registration desk and received my name badge and conference pack. A heart sticker adorned my badge, marking me as a first-time attendee.

    The name badges were an absolute godsend. Some people say they remember faces but not names; I frequently remember neither. If only name badges were fashionable in more situations!

    I was quite nervous that first morning, as the only person I knew wasn’t turning up until the Saturday. However, my nerves were completely unwarranted; everyone was extremely friendly (thanks to the aforementioned heart-sticker), and luckily we all had one ginormous thing in common that made it easy to start conversations!

    “So, what do you write?” was the #1 conversation opener, for the very first time in my life.

    I refined my answer to this over time and eventually settled on: “Think fantasy Downton Abbey.”

    (I feel I must make an admission here; I’ve never actually watched Downton Abbey, but it’s a comparison that multiple reviewers have used and it’s a more comprehensible shorthand than “Er…secondary world early twentieth centuryish inspired fantasy-of-manners with fae and romance?”. Hopefully, when I do get around to watching it, I won’t discover that I’ve been merrily giving everyone an entirely false idea of what to expect!)

    Onto the workshops!

    There aren’t a lot of local professional development opportunities for genre writers in New Zealand. I’d heard through the grapevine that RWNZ conferences offer fantastic craft workshops that would be of benefit to any writer, not only those writing pure romance.

    Well, I’m here to tell you that the grapevine was absolutely right.

    The top part of a handwritten page of notes listing a Table of Contents.
    My uncharacteristically organised note-taking.

    Over the three days, I made fifty pages of notes. FIFTY. Beginnings, tension, characterisation through narration, and conflict were just some of the topics covered. I think I’ll write up a few of the sessions that particularly resonated with me in separate blog posts, but needless to say that by the end of the weekend, my brain was stuffed full of information and ideas.

    Let no one tell you that writing romance is easy. These guys take their craft seriously. The whole conference was infused with a determination to learn, share ideas, and ultimately bring readers joy. But more than that, everyone there practically glowed with the love of writing. The enthusiasm was infectious and left me buzzing with renewed motivation to finish my work in progress.

    Plus, as it turns out, romance authors and editors have great senses of humour.

    Book Title Quiz where all missing words have been replaced with the word
    One group’s ‘guesses’ at missing titles

     

    If every duke featured in a regency romance actually existed, they’d outnumber the sheep in New Zealand*” —May Chen, Avon editor.

    *Current NZ sheep numbers = 27.3 million, which by my calculation means every New Zealander gets ~5.6 dukes of their very own!

    Definitely planning to attend next year.

  • Less than one month to go…

    Less than one month to go…

    Soooo… THE LORD OF STARIEL ebook is available to pre-order on Amazon!

    LordOfStariel_FC_R4 medium res
    It will release 1 November and I am COUNTING DAYS GUYS OMG. I am both incredibly excited to show it to the world and nervous for precisely the same reason!

    I think of books as a long, time-delayed conversation between authors and readers. You can keep your writing in the back of the wardrobe and never show it to another living soul. This has the advantage of keeping it safe from criticism, but it’s also a lot like talking to yourself. It also means the book is never truly finished, because there’s nothing to stop you fiddling with your wardrobe-book forever.

    It’s been a long journey, getting this series ready for release, and part of me still can’t quite believe that book one is really truly actually going to be published IN LESS THAN A MONTH.

    Where will the book be available to buy when it releases?

    Ebook

    In the long run, I plan to make my books available on all ebookseller platforms, but in the short run they will only be available on Amazon. This is due to Amazon’s exclusivity requirements for its subscription programme, Kindle Unlimited, which I plan to enrol my books in initially.

    Print

    You’ll be able to order books from your preferred bookseller of choice (I can recommend Book Depository for free international shipping). I’ll let you know when and where they’re available.

    A sneak peek

    I’ve also put the prologue and the first chapter up on the website. You can read it here. I plan to put a few more chapters up before release date, to psych myself up for it!

  • My Writing Process

    My Writing Process

    A few people have asked why they can’t read Book 1: The Lord of Stariel now if I’ve finished writing it. (As an aside, this enthusiasm is awesome. Thanks guys!) The answer is mostly because I’m writing a quartet and at the end of Book 4 it needs to look like I knew where I was heading all the way back in Book 1. This can be achieved in two ways:

    (1) Knowing where I was heading all the way back in Book 1.

    (2) By returning to Books 1, 2, and 3 after I’ve arrived at the end of Book 4 and changing things to make it look like I 100% planned it this way the whole time. Obviously the overarching plot isn’t still a big foggy mystery to me in any way. Nope. Definitely not. IGNORE THIS ENTIRE PARAGRAPH.

    editing_extract_LoS
    Revision notes on one of my early drafts

    There’s another reason why finishing-a-draft ≠ book-being-immediately-available-to-read, and that’s the writing/publishing process. The writing process (for me) looks like this:

    1. Planning: Yes. Ahem. Moving on.
    2. The First Half of the Book: Shiny idea! I’m a genius! Look at all those words!
    3. The Mid-Point of the Book: Oh dear. Where was I going again?
    4. The End of Draft Zero: Whew, I finally figured out how it ends.
    5. The First Edit: Quick, revise the earlier bits of the book so they match the ending!
    6. First Draft Complete: The manuscript and I spend some time apart. A small number of trusted beta readers* read the book.
    7. Revision: I look at the book with fresh eyes + beta reader feedback and make giant lists of things to fix. I fix the things.
    8. Final Draft: OK, there’s generally a few drafts between Draft One and Final Draft, but let’s pretend in this hypothetical novel I fixed all the things in one round of revisions. Woo! Go me!
    9. And now onto the next step in the publishing process… (more on this in a different update)