Tag: Stariel Series

  • How long is a book? Wordcounts for fantasy novels

    How long is a book? Wordcounts for fantasy novels

    How long is a book?

    This is a question I first asked the internet at around age 14, after finishing my then-masterwork of epic fantasy (spoiler: not actually a masterwork of epic fantasy).

    The internet answered: Um. It’s complicated.

    Now, keep in mind that the internet then was not the internet of now, when indie publishing has made this question (a) a lot more commonly asked and (b) a lot more commonly answered. Note that I didn’t say I googled the question, because I’m not sure I was actually using Google back then. (My introduction to Google came from one of my classmates at around this same age:
    “Hey, there’s this really great search engine you should check out called Google.com”
    Me: “How do you spell that?”)

    So today, if you ask the internet how long a book is, it will tell you: Um. It’s complicated. That’s because there isn’t actually a standard length for books. Exhibit A:

    Big book and lil book
    Harry Potter and the Philosopher’s Stone (77,325) and Harry Potter and the Order of the Phoenix (257,154).

    In terms of novels – adult novels – around 40,000 words is where the starting point gets drawn. The 70,000-100,000 word range is standard for most genres except epic fantasy, which tends to be 100,000 words minimum, and some subgenres of romance that tend to run shorter.

    I looked up wordcounts of a random assortment of books I like, and you can see how much they vary.

    Book Wordcount
    Harry Potter and the Philosopher’s Stone by J.K. Rowling 77,325
    Faro’s Daughter by Georgette Heyer 88,743
    Storm Front by Jim Butcher 86,961
    Mort by Terry Pratchett 94,240
    The Hobbit by J.R.R Tolkien 95,022
    Pride and Prejudice by Jane Austen 120, 697
    Uprooted by Naomi Novik 143,840
    Twilight by Stephenie Meyer 168,640
    A Game of Thrones by George R. Martin 298,000
    The Way of Kings by Brandon Sanderson* 387,000

    Does word count matter? For print books, yes. The longer the book, the more it costs to print. There’s only so big you can physically make a paperback before it ceases to function as a book and becomes merely a blunt instrument. Hardbacks are more robust and can contain more words before they break under the strain, but they’re also more expensive to print than paperbacks. This is why the world has  given us Brandon Sanderson’s The Way of Kings in two volumes. See also: George R. Martin (did I mention the 100k general starting point for epic fantasy?)

    Does word count matter for ebooks? A smidgeon** maybe, but mostly no.

    How long are my books? Well, they’re not yet finished so this is a preliminary wordcount:

    The Lord of Stariel: 82k
    The Prince of Secrets: 96k
    The Court of Mortals: 110k
    Book 4 Currently Nameless: 0, since I haven’t started writing yet. But otherwise, there seems to be a trend here…

     

    *pretty sure Brandon Sanderson is an alien / robot / magic and as such is an outlier that should not be counted.

    **From a dollar perspective, Amazon charges to deliver ebook files based on their size. Amazon.com charges US $0.15/MB, but since file size is way more affected by the number of images than the number of words, it’s not really an issue of ebook length per se.

  • Genre: What even is ‘gaslamp fantasy?’

    Genre: What even is ‘gaslamp fantasy?’

    When I finished the first draft of The Lord of Stariel, my friends and family asked, not unnaturally, what it was about.

    “Well,” I said. “It’s a fantasy novel.”

    This was and remains 100% true. It is a fantasy novel. There is magic. Excellent – genre nailed down.

    However, fantasy is a giant genre, so I tried to be a little more specific. The attempt to pin down my subgenre quickly became a depressing exercise in things my novel lacks. It isn’t medieval, grimdark, epic, urban, or steampunk. It’s historicalish but it’s set in its own world. It isn’t about sword fights or going on a quest. There are fae, but it isn’t a fairytale retelling.

    For a while I called it ‘fantasy romance’ because those are two things it definitely contains – even though the romance isn’t exactly the main plotline.

    Eventually I did find a weird niche subgenre label for it in addition to fantasy romance: gaslamp fantasy. This is a subgenre that (a) most people have never heard of and (b) is basically defined entirely by what it’s not. Hoorah!

    Wikipedia defines gaslamp fantasy as:

    ‘a subgenre of both fantasy and historical fiction. Generally speaking, this particular realm of fantasy employs either a Victorian or Edwardian setting. The gaslamp fantasy genre is not to be confused with steampunk…’

    The way I see it, gaslamp fantasy is the magical cousin of steampunk. Steampunk I think draws more from science fiction than fantasy, and has a big focus on machines, cogs, corsets, goggles, Victorian-aesthetic, and, er, steam. Gaslamp is less about the technology and more about fantastical elements in a late nineteenth/early twentieth century setting.

    Today I found out that Amazon recently created a category for gaslamp fantasy books, which heartened me until I glanced through the books listed and found that most of them appeared to be steampunk. Oh well. It’s only a little baby subgenre at the moment – maybe it will grow into something big and popular! After all, a few decades ago most people had never heard of urban fantasy either.

    Bring on the gaslamp fantasy revolution!

  • Camp Nanowrimo

    Camp Nanowrimo

    had intended to finish the raw draft of Book 3 of The Iron Law before 31 March, all nice and neat and ready to start editing the entire trilogy* for Camp Nanowrimo on 1 April. As it turns out, I’m not quite done with Book 3, so Camp has become a combo of finish-book-3 and editing.

    *trilogy…yes…definitely not looking like a fourth one will be in the works. Um.