Tag: romantic fantasy

  • Fantasy-of-Manners Books

    Fantasy-of-Manners Books

    I’ve been calling my own books ‘gaslamp fantasy’ since I published them, but more recently, I’ve started calling them by another term as well: fantasy of manners.

    What is fantasy of manners?

    Fantasy-of-manners is a subgenre of fantasy where the societal setting lends itself to intimate, complicated social interactions and (you guessed it) manners. Think ballrooms and manor houses rather than battlefields. The name draws from ‘comedy of manners’, and while fantasy-of-manners books aren’t always humorous, they often do have a whimsical / tongue-in-cheek tone.

    Wait, how is fantasy-of-manners different from gaslamp fantasy?

    I’ve been musing on this (I do love musing on subgenres). I think there is naturally a lot of overlap between gaslamp fantasy and fantasy of manners and that many books (including mine) are both. Gaslamp fantasy describes the world’s technology level / historical time-period feel, and fantasy of manners describes the society and focus of the story’s conflicts.

    Why is fantasy of manners so great?

    • Ridiculous rules and constraints create massive potential for delicious interpersonal drama and / or humorous situations.
    • Aesthetics. There’s just something about balls and men in waistcoats, isn’t there?
    • Intimate focus. Politics, rumours, and clever conversations rather than battles and action sequences.
    • The fun of seeing how something as wild as magic fits into a world of rigid societal rules.

    So what are some examples of fantasy-of-manners books?

    I’m so glad you asked! Here is a list of fantasy-of-manners books I have read and enjoyed. These are all books with strong romantic elements, because that’s how I roll. Please do recommend more in the comments – I love this subgenre, so I’m always happy to find more.

    15 (Romantic) Fantasy-of-Manners Books

    (in no particular order)

    The Lord of Stariel by AJ Lancaster

    Yes, I know. Tacky. But I have to add my own books to this listicle for SEO purposes, and technically I have read and enjoyed them! Marketing shmarketing and the hustle of the self-published author and all that. Anyway, if you like large-extended-family antics, melodramatic fae, and magical sentient estates, you might like my books.

    Self-published: Yes
    Steamy scenes: Not in this book, but some later in the series.

    The Lady Jewel Diviner by Rosalie Oaks

    These books have the spirit of cosy mystery novels combined with Regencies. Plus vampires and selkies. It works wonderfully, I promise. The main character can magically sense gemstones.

    What I particularly adore about this series is how joyful it is. Very much not taking itself too seriously, and I absolutely cackled my way through especially the climax in this book. There’s a slow-burn enemies-to-lovers romance with the high-handed (but well-meaning) Earl of Beresford.

    Self-published: Yes
    Steamy scenes: No

    Subversive by Colleen Cowley

    Oof, this trilogy was so addictive I read all three in a row. They have an almost thriller vibe to them with lots of politics and secrets. I loved the enemies-to-lovers romance and the fascinating exploration of all the ways that magical oaths might go wrong.

    Self-published: Yes
    Steamy scenes: Yes

    The Midnight Bargain by CL Polk

    My favourite thing about this book is the magic – magicians make bargains with spirits to do their bidding. I choose to imagine them as demonic pokemon.

    Self-published: No
    Steamy scenes: No

    Half a Soul by Olivia Atwater

    A whimsical Regency fantasy romance (with capricious fairies) that manages to touch on darker issues whilst remaining overall light in tone.

    Self-published: Yes
    Steamy scenes: No

    Tea & Sympathetic Magic by Tansy Rayner Roberts

    What impresses me most about these cosy novellas is how satisfying they are. Each contains a mystery, furthers the romantic arc, and includes a cast of entertaining secondary characters. I have no idea how Tansy fits so much in to such a short length.

    Self-published: Yes
    Steamy scenes: No

    Sorcerer to the crown by Zen Cho

    This book is so good I can’t actually encapsulate its goodness with words (ironically). Zacharias, the titular Sorcerer to the Crown, is my favourite and I just want an endless amount of nice things for him.

    Self-published: No
    Steamy scenes: No

    Empath’s Lure by Jen Lynning

    A hero who can manipulate emotions (but not sense them) meets a heroine who can sense emotions (but not manipulate them) on opposite sides of the treaty negotiation talks between two nations. Full of courtly intrigue and political shenanigans as well as the burgeoning romance between these enemies-turned-eventual-allies.

    Self-published: Yes
    Steamy scenes: Yes

    A Marvellous Light by Freya Marske

    The magic system fascinated me in this one – magicians cast using hand motions based on the cat’s cradle game. I also loved how many scenes are set in libraries and just how much William Morris wallpaper features.

    Self-published: No
    Steamy scenes: Yes

    Snowspelled by Stephanie Burgis

    A magical manor-house mystery set in a kind of gender-bent version of Regency England (with added trolls and fae). It’s a novella, and I read it in one go and regret nothing.

    Self-published: Yes
    Steamy scenes: No

    The Magpie Lord by KJ Charles

    This m/m romance has a real gothic feel with the terrifying curse afflicting one of the heroes and the ominous magpie imagery.

    Self-published: Yes
    Steamy scenes: Yes

    Scales and Sensibility by Stephanie Burgis

    Regency romance with pet dragons! The moment I heard about this book, I knew I must read it, and I was right. I inhaled this delightful confection in a single sitting (seems to be something of a trend for me with Stephanie Burgis’ books).

    Self-published: Yes
    Steamy scenes: No

    Witchmark by CL Polk

    m/m and includes fae and magical soulbonds!

    Self-published: No
    Steamy scenes: Fade to black

    Soulless by Gail Carriger 

    My heart will always hold a huge soft spot for Lord Maccon, gruff but well-meaning werewolf alpha.

    Self-published: No
    Steamy scenes: Yes

    Sorcery & Cecelia by Patricia C Wrede & Caroline Stevermer

    This was the first fantasy-of-manners book I ever read, many years ago and before I knew the term for the subgenre. It’s told as letters back and forth between two friends as they each get embroiled in their respective mysteries / shenanigans, and it is pure delight. Maybe time for a re-read, in fact.

    Self-published: No
    Steamy scenes: No

  • Hanging with other writers: the RWNZ 2019 Conference

    Hanging with other writers: the RWNZ 2019 Conference

    Fantasy is my first and truest love, but romance is a close second (a shocker, I know, if you’ve read my books 😉). So it was with great excitement that I headed off to Christchurch last weekend for my first-ever Romance Writers of New Zealand (RWNZ) conference.

    A footpath curving beneath bare-branched trees in Hagley Park. In the upper corner, pink blossoms are visible.
    Hagley Park, Christchurch

    Years ago, when I was a university student, I spent a lot of time in Christchurch Airport, waiting for connecting flights as part of my journey home. I’m not sure this really counts as having visited the city. I can’t say I’ve now remedied this, since I spent last weekend largely within the four walls of the conference hotel.

    However, I can say that the few bits of Christchurch I did see were both lovely and curiously English in aesthetic (and, coming from hilly Wellington, disconcertingly flat). The hotel abutted the large and picturesque Hagley Park, where the first signs of spring were juuust beginning, cherry blossoms and daffodils and a hint of warmth.

    “The trees are coming into leaf. Like something almost being said—Philip Larkin

    (I thought of this quote a lot during spring when I was overseas in Oxford, and Hagley Park had that same quality to it).

    On Friday morning, I turned up to the registration desk and received my name badge and conference pack. A heart sticker adorned my badge, marking me as a first-time attendee.

    The name badges were an absolute godsend. Some people say they remember faces but not names; I frequently remember neither. If only name badges were fashionable in more situations!

    I was quite nervous that first morning, as the only person I knew wasn’t turning up until the Saturday. However, my nerves were completely unwarranted; everyone was extremely friendly (thanks to the aforementioned heart-sticker), and luckily we all had one ginormous thing in common that made it easy to start conversations!

    “So, what do you write?” was the #1 conversation opener, for the very first time in my life.

    I refined my answer to this over time and eventually settled on: “Think fantasy Downton Abbey.”

    (I feel I must make an admission here; I’ve never actually watched Downton Abbey, but it’s a comparison that multiple reviewers have used and it’s a more comprehensible shorthand than “Er…secondary world early twentieth centuryish inspired fantasy-of-manners with fae and romance?”. Hopefully, when I do get around to watching it, I won’t discover that I’ve been merrily giving everyone an entirely false idea of what to expect!)

    Onto the workshops!

    There aren’t a lot of local professional development opportunities for genre writers in New Zealand. I’d heard through the grapevine that RWNZ conferences offer fantastic craft workshops that would be of benefit to any writer, not only those writing pure romance.

    Well, I’m here to tell you that the grapevine was absolutely right.

    The top part of a handwritten page of notes listing a Table of Contents.
    My uncharacteristically organised note-taking.

    Over the three days, I made fifty pages of notes. FIFTY. Beginnings, tension, characterisation through narration, and conflict were just some of the topics covered. I think I’ll write up a few of the sessions that particularly resonated with me in separate blog posts, but needless to say that by the end of the weekend, my brain was stuffed full of information and ideas.

    Let no one tell you that writing romance is easy. These guys take their craft seriously. The whole conference was infused with a determination to learn, share ideas, and ultimately bring readers joy. But more than that, everyone there practically glowed with the love of writing. The enthusiasm was infectious and left me buzzing with renewed motivation to finish my work in progress.

    Plus, as it turns out, romance authors and editors have great senses of humour.

    Book Title Quiz where all missing words have been replaced with the word
    One group’s ‘guesses’ at missing titles

     

    If every duke featured in a regency romance actually existed, they’d outnumber the sheep in New Zealand*” —May Chen, Avon editor.

    *Current NZ sheep numbers = 27.3 million, which by my calculation means every New Zealander gets ~5.6 dukes of their very own!

    Definitely planning to attend next year.

  • Fantasy Romance vs Romantic Fantasy: Is there a difference between these subgenres?

    Fantasy Romance vs Romantic Fantasy: Is there a difference between these subgenres?

    A bit of preface: I wrote most of this blog post aaaaages ago but never got around to finishing it. However, this week I discovered a new FB reader group called Romantic Fantasy Shelf, which has been set up by a bunch of indie authors and is focused on secondary-world Romantic Fantasy / Fantasy Romance / Reverse Harem fantasy and it (a) seemed right up my alley (go join if it’s up your alley too; they’re running a whole bunch of giveaways this month to celebrate the launch of the group) and (b) reminded me of this half-written blog post.

    romantic fantasy launch event

    Now for the actual blog post:

    Because I am me and like organising things into their Correct Places, I have spent a lot of time pondering genre nuances. And because my current project (the Stariel series) contains both fantasy and romance, this specific genre nuance (fantasy romance vs romantic fantasy) interests me particularly. Are they actually different subgenres or just different names for the same thing? Is there any real difference between the two subgenres in terms of reader expectations?

    From a purely technical standpoint, fantasy romance is a subgenre of ROMANCE whereas romantic fantasy is a subgenre of FANTASY. In other words, you’d expect the dominant element to be the parent genre.

    But if a book has both romance and fantasy, how do you tell which is the ‘dominant’ genre? And what if it’s an equal mixture of both?

    I’ve been told that one simple way to figure out if you’re dealing with a book that has romance as its dominant genre is to ask yourself: ‘does the plot still pretty much work if I take out the romance?’ and if the answer is ‘no’, well, there you go; it’s a romance. It works for some books where the balance is clearly tipped more one way than the other.

    For example, Tamora Pierce’s Alanna books still work if you take out the romance (though why would you do that!?) since the major plotline is the heroine training to be a knight.

    Tamora Pierce Song of the Lioness Quartet

    By comparison, Robin McKinley’s Beauty doesn’t work if you take out the romance, since the main plot is about Beauty and the Beast’s relationship.

    Beauty by Robin McKinley

    However, I have found this question of ‘does it still work if you take out the romance’ overly simplistic for a lot of books. If you take the romance out of C.L. Wilson’s  Lord of the Fading Lands, you’ve still got fantasy worldbuilding and conflicts but you lose most of the character motivations.

    Lord of the Fading Lands
    Also, this cover is INSANE. Go, giant fire-breathing panther head, go!

    Similarly with Jacqueline Carey’s Kushiel’s Dart. You can take out the romance and still have intricate politics, sexy courtesans, and war between nations, but, again, you lose major character motivations and some very big subplots.

    Jacqueline Carey Kushiel's Dart

    For my own series, which falls into the Romantic Fantasy rather than Fantasy Romance camp, the answers to the question ‘does the plot work if you take out the romance?’ are:

    • Book 1: The Lord of Stariel – Mostly yes
    • Book 2: The Prince of Secrets – Mostly no
    • Book 3: The Court of Mortals – Sort of?
    • Book 4: The King of Faerie – Well, it would be a totally different series by now without the romance elements so hard to say

    Basically, it gets silly very quickly trying to figure out whether a book still works without half its ingredients. And, really, who wants half a cake? Er, book.

    I thought another way to slice this might be to look at Amazon’s categories. Fantasy has a subcategory for “Romantic” and Romance has a subcategory for “Fantasy”. So what’s filed under each one?

    A lot of the same books, as it turns out.

    There are slightly more sexy man-chest covers under Romance>Fantasy and slightly more women-with-glowy-magic-hands covers under Fantasy>Romantic.

    I think the main difference (if any) is that Fantasy Romance series are likely to feature a different couple in each book, whereas Romantic Fantasy series focus on the same characters over multiple books.

    However, my main conclusion after looking at a bunch of books that mix romance and fantasy is that this quest has not helped my To-Be-Read list get any smaller.